This issue follows on from The Demon #17 and Wonder Woman #61 as we reach the climax of the crossover. The issue is very dense and its pages are filled with with very small panels of artwork, as Perez attempts to cram everything he wants to tell into the final instalment. This is perhaps the weakest issue of the four as, on occasions, it begins to break down into a confused, contrived and overly complex narrative – leaving the reader unsure as to how exactly it was finally resolved.